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Great Seal > Symbols > Shield
Symbolism of the Shield on the Great Seal
Above are the sketches for all four preliminary designs.
The first committee's shield designed by Pierre Du Simitière is bordered with the initials for "each of the thirteen independent States of America." Inside are symbols of the six "Countries from which these States have been peopled:" the rose for England, thistle for Scotland, harp for Ireland, fleur-de-lis for France, lion for Holland, imperial eagle (two-headed) for Germany.
The first striped shield (red and white diagonal) was suggested by the second committee the idea of Francis Hopkinson, who had designed the American flag in 1777.
The consultant on the third committee, William Barton, wanted a shield of 13 horizontal stripes with a pillar in the center. That bird at the top is a "phoenix in flames"!
When Charles Thomson came up with the final design of the Great Seal, he first suggested a shield with 13 chevrons (top right), introducing the theme of mutual support that led William Barton to suggest the 13 vertical stripes (states) supporting a chief (federal government) we see today
The shape of the shield is not specified.
The shield design is seen in the 13 pillars of the
Temple of Liberty Justice and Peace.
NOTE: The shield on the Great Seal has seven white and six red stripes, but the flag has seven red and six white stripes.
In heraldry, the shield and motto complement each other. Charles Thomson thought the first committee's motto "E pluribus unum" (Out of many, one) best captured the shield's symbolism, so he put it on the scroll held in the Eagle's beak.
Symbolism of the Shield (paraphrase of official explanation.)
The shield is composed of the blue Chief (top horizontal bar) and the red and white Pales (thirteen vertical stripes) which represent the several states all joined in one solid compact entire, supporting a Chief which unites the whole and represents Congress. The motto alludes to this union.
The stripes are kept closely united by the Chief, and the Chief depends upon the union and the strength resulting from it for its support to denote the Confederacy of the United States of America and the preservation of their union through Congress.
In the 1770s, many emblems of unity were on Continental Currency.
Supporters of the Shield
In heraldry, shields traditionally are held by two figures, one on either side. Called "supporters," they originated from the custom at medieval tournaments, when knights' shields were carried by attendants costumed as lions, bears, griffins, or other animals.
Supporters on Preliminary Designs:
1776: Goddess of Liberty and Goddess of Justice.
(Same duo are on New York's state seal shown here.)
1780: A Warrior and a Figure representing Peace.
1782: The Genius of America (represented by a Maiden) and an American Warrior.
What's unique about the Great Seal is the absence of supporters. Thomson explained that the shield is "born on the breast of an American Eagle without any other supporters, to denote that the United States of America ought to rely on their own Virtue."
Shields are At the Heart of Heraldry
The shield is a warrior's primary piece of defensive equipment. They were first made of leather skins. Later, of tough wood covered with leather or metal, or entirely of metal even including gold and silver.
Shield were decorated by staining the leather or beating the metal into shapes. They were also inlaid, and studded with nails or precious metal. The insignia of a warrior or knight was painted on his shield, making him easier to identify in a battle or contest.
By the thirteenth century, in England the various decorative "devices" on shields and on the other aspects of a knight's armament became systematized into the rules of heraldry that formalize the appearance of a coat of arms or seal.
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